Features

Novelists work alone. So do painters. So why do so many composers choose to work in pairs? Rebecca Barry reports.

Music Commissioners

Whether creating music for television, film or advertising, composers have long relied on commissioners to make a living. Fiona Sturges uncovers the secrets of a successful working partnership. Read full article

Posted: May 05, 09 | Comments: 0

Composing Partnerships — a balancing act?

Novelists work alone. So do painters. So why do so many composers choose to work in pairs? Rebecca Barry reports. Read full article

Posted: Feb 05, 09 | Comments: 1

Investigating the Library Music Industry

Once considered the fast food of the music industry, library music is now a significant resource for producers and a lucrative career option for composers. Rebecca Barry reports. Read full article

Posted: Dec 04, 08 | Comments: 2

Matthew Strachan Q&A

Screened Music guest panellist, Matthew Strachan, shares his views on pitching for free, having an agent, his sound track for Who Wants To Be A Millionaire? and the state of the industry. Reporting by Nicki Household. Read full article

Posted: Dec 02, 08 | Comments: 0

Pitching For Free — What's the Deal?

The majority of film and television composers say it's only fair that they charge for pitches and demos. So why do so many go unpaid? Rebecca Barry reports. Read full article

Posted: Oct 24, 08 | Comments: 11

Talent Competitions — Do They Deliver?

These are tough times for aspiring composers looking for their big break. There are more people than ever with a passion for creating new sounds, and competition is fierce. Could a talent competition be the place to start? Fiona Sturges reports. Read full article

Posted: Oct 24, 08 | Comments: 1

Feature Comment

"Old boys networks do exist. Middlemen take unhealthy commissions out of work pitched for. Demo fees go unpaid and the quality of music drops because the technology is more affordable and hence available......"
Edward White on the Feature Pitching For Free — What's the Deal?

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Prayer by Lila Senior

“Very nice track Lila! I'm sure it works really good on the scene.…”
Roger Pasto Cortina (Composer)

Shooting the War: Threnody by Joseph Atkins

“World War II is hardly synonymous with anything other than bleak, oppressive and dark times and this piece encapsulates the mood perfectly. Good stuff.…”
Ben Walter (Panellist)

Jana Non Regina by Elizabeth Levine

“I'm with Alex on this one, Elizabeth. Outstanding.…”
Ed David Watkins (Composer)

Featured Panellist Michael J. McEvoy

Screened Music Guest Panellist Michael J. McEvoy

Michael J McEvoy is a composer and performing musician with a varied background in the music industry, having worked in popular music, TV composition and feature film scoring. Recent credits include the new Open Titles theme music for 'Live From Abbey Road'(C4) and original music for Richard Linklater's feature, 'Me and Orson Welles', starring Zac Efron and Claire Danes

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